Thursday, January 2, 2020

The Picture of Dorian Grey by Oscar Wilde - 768 Words

Psychological Freud’s belief was that mental health and psychological wellness requires a harmonious relationship between the different parts of the mind and a lack of harmony can lead to neurosis. Plato invented the original tripartite and Freud expanded on it in 1923. The tripartite is divided into the sections: The Superego, the Ego, and the Id. The Superego is basically the conscience of our mind. The Ego is consciousness created by the combination of the Id and Superego. The Id is having thoughts of instincts and drives which are necessary to satisfy. In Oscar Wilde’s The Picture of Dorian Gray, we see the main characters representing the Superego, Ego, and Id. The Superego is representative of our conscience and is opposite of the id. â€Å"Superego† comes from Latin and really means â€Å"above the ego†. It is the greatest power of our mind. The superego is what most people would call the conscience or where a god would be. The Superego is a basis for how we view the world, social norms, and morals. Also, as the Superego portrays the conscience, it holds our sense of wrong and right. We have to follow the needs of the Superego or else we might feel some guilt or shame. Freud said that the Ego is the mediator between the Id and Superego and the outside world. For the Ego to do its job, it has to delay the desires of the Id until it is socially acceptable to give the Id the needs. So our conscious-driven Ego is a balance of the Id and Superego, evening out our primal needsShow MoreRelatedThe Picture of Dorian Grey by Oscar Wilde800 Words   |  3 PagesOne of Oscar Wilde’s most challenging themes, not only in his writing, but also in his professional life, is that of formulating an authentic identity in the realism of a hedonistic, pleasure-seeking lifestyle without boundaries. By first looking at this challenge in all its facets, it will be easier to comprehend the fundamental theme in his book The Picture of Dorian Gray. In his professional life, Wilde became known for his short stories, poems, plays, his only novel, and his wit. Wilde becameRead MoreThe Picture of Dorian Grey, by Oscar Wilde771 Words   |  4 Pageswithout losing the other, due to their conflicting natures. While the novel The Picture of Dorian Gray brings out the central question â€Å"Is it better to pursue Aesthetics or Morality?† it describes the life of Dorian Gray, who constantly sought to maintain his appearance at the cost of his morals, and answers the question by revealing the consequences of living Mr. Gray’s â€Å"beautiful† lifestyle. In the novel, Oscar Wilde depicts the explosion of aesthetic philosophy in higher English society duringRead MoreThe Theme of Decadence in the Picture of Dorian Grey by Oscar Wilde1553 Words   |  7 PagesThe theme of decadence in The Picture of Dorian Grey by Oscar Wilde Staring from the definition found in the dictionary, the decadence is a literary movement especially of late 19th-century France and England characterized by refined aestheticism, artifice, and the quest for new sensations. [1] In decadence, important is not necessarily what is seen, but the hermeneutics: what man feels when he sees the creative result of this feeling. It is the current that requires a co-operationRead MoreCompare And Contrast The Picture Of Dorian Gray And Frankenstein701 Words   |  3 PagesOscar Wilde’s The Picture of Dorian Grey, and Mary Shelley’s Frankenstein, are considered classics in modern literature, as they are known for their captivating plot lines and unique writing styles. 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In the novels Frankenstein by Mary Shelley and The Picture of Dorian Grey by Oscar Wilde, this idea of the human spirit is portrayed clearly. Both novels have similar aspects about the human spirit, but they also have their differences. Both novels have main characters who

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